Berita – News :
SPORT :
Teknologi & Hp :
Toko Audio System Profesional
Camera – Photography :
Patrick Lumbanraja | Photography
Kristupa Saragih | Photography
Radio Streamers :
Colour :
Sehat – Healt :
Halaman web Cantik :
Barang Bekas :
Toko On-Line :
Tiket on-line :
Arloji :
info :
TV streaming :
TransTV-Trans7-SCTV-TVOne-ANTV
Club / Perkumpulan :
Toko Jam Vintage:
Jual jam tangan :
Harga EMAS :
Movie on line :
TIKET ON LINE :
AUDIO VIDEO :
CD Audiophile :
Berikut lokasi website ping-er untuk segera terindeks mesin pencari google:
1. Pingomatic.com
2. Pingoat.com
3. Pingfarm.com
4. Feed Shark
5. Pingates
6. King Ping
7. Softlize Hotstuff
8. Pingmyblog.com
9. Pingates.com
10. Pingoat.com
11. Ping.in
12. TotalPing.com
13. Ping-Fast.com
14. Auto-Ping.com
15. Autopinger.com
16. Kping.com
17. Feedping.com
Setelah saya survey Inilah Daftar Website Training NLP dan Hypnosis Terbaik di Indonesia. yuph inilah websitenya tinggal anda klik untuk mendapatkan informasinya :
1. # Belajar NLP.com
2. # Sinergi NLP.com
3. # Portal NLP.com
4. # NLP portal.com
5. # RonnyFR.com
6. # Spiritual NLP.com
7. # Indonesian NLP.com
8. # Republik NLP.com
9. # Portal Hipnotis.com
10. # Trainining NLP Indonesia.com
11. # Sinergy Lintas Batas . com
12. # Portal Hypnotherapy .com
13. # Portal Hypnosis .com
14. # Indonesia Covert Hypnosis .com
15. # Covert Hypnosis Indonesia .com
16. # Hypnosis Indonesia .com
17. # Cara Belajar Hipnotis .com
18. # Covert Conversational Hypnosis Indonesia .com
19. # Indonesia Covert Conversational Hypnosis .com
20. # Pelatihan Covert Conversational Hypnosis Indonesia .com
21. # Training Covert Conversational Hypnosis Indonesia .com
22. # Conversational Hypnosis Indonesia .com
23. # Quantum Linguistic .com
24. # Blitz – Reading . com
25. # Persuasion Master Class . com
26. # Neuro Marketing Training .com
27. # Neuro marketing Indonesia . com
28. # Total Stop Smoking System .com
29. # Cara Cepat Mudah Berhenti Merokok .com
30. # Portal Sulap . com
31. # Laida Karim . com
32. # Jual Air Kangen Murah .com
33. # Logam Mulia 24 . com =
34. # Indo Coaching . com
35. # Indonesia Clean Language . com
36. # Coaching . co . id
37. # Self Leadership Indonesia . com
38. # Leadersip Indonesia . com
39. # Meta
40. # Indonesia NLP Coach . com
41. # Indonesia Coaches Society . com
42. # Luck Magnet Indonesia . com
43. # Law Of Attraction Indonesia . com
Seringkali kita chatting dan kirim status kehabisan kata2, nahhh gunakan font2 di bawah ini, tinggal copy dan paste, pasti unik hasilnya :
♥̸̨-̶̶•-̶̶•̸Ϟ•̸♥̸̨
¸.•*¨*`•.¸.•*¨¨*`•.
•ː̗̀☀•°*ː̗̀☀̤̣̈̇ː̖́•*°•☀ː̖́•
♌•.:¨•≈※♈※≈•.:¨•♌
ж*°¨°*Ж*°¨°*ж
*¨☀°¨¤ζ№ζ¤¨°☀¨*
•.:¨•☃•.:¨•.
¨♋◦♍◦♋¨
˚°º°˚¨☀°°♓εïз♓°°☀¨˚°º°˚
•☀°♡◦∙°¨•♥•¨°∙◦♡°☀•
ω•∙…◦*∙~Ώ~∙*◦…∙•ω
•♦°°*¨ºεïзº°¨*°°♦•
.*¨°º¤•°☀°•¤º°¨*.
ː̗̀☀̤̣̈̇ː̖́
♡̷̴̬̩̃̊
ː̗̀☀̤̣̈̇ː̖́ː̗̀☀̤̈̇
♡̷
♀ ♂ ♩ ♪ ♬ ♭
☀ ☁ ☂ ☃ ☇ ☎ ☐ ☑ ☹ ☺ ♈ ♉ ♊ ♋ ♌ ♍ ♎ ♏ ♐ ♑ ♒ ♓ ♠ ♤ ♥ ♡ ♦ ♢ ♣ ♧
¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ® ¯ ° ± ²
Ϙ ϙ Ϛ ϛ Ϝ ϝ Ϟ ϟ Ϡ ϡ
CURRENCY CODES:
¤ $ ¢ £ ¥ ₣ ₤ ₧ € ₯ % ‰
MATHEMATICAL CODES:
− + ± × ÷ % ‰ = ≠ ≈ ≡ < > ≤ ≥ ∞ ⅛ ¼ ⅜ ½ ⅝ ¾ ⅞ ∫ ∂ ∆ ∏ ∑ √ ∟ ∩ ∙ ƒ ⁄
PUNCTUATION AND OTHER CHARACTERS:
!” # ‘ ( ) * , – . / : ; ? @ [ \ ] ^_ { | } ~ ‚ „ … † ‡ ‹ ‘ ’ “ ” • – — ™ › ¡ ¦ © ª « ¬ ® ° ² ³ µ ¶ · ¹ º » ¿ ℅ ⁿ § ¨ ― ‣ ‾ ‼ № ← → ↑ ↓ ♀ ♂ ♩ ♪ ♬ ♭ ℠⌣ ✆ ✉ ★ ☆ ♂ ♀ ▲ ► ▼ ◄
MISCELLANEOUS SYMBOLS:
☀ ☁ ☂ ☃ ☇ ☎ ☐ ☑ ☹ ☺ ♈ ♉ ♊ ♋ ♌ ♍ ♎ ♏ ♐ ♑ ♒ ♓ ♠ ♤ ♥ ♡ ♦ ♢ ♣ ♧
Latin-1SUPPLEMENTI:
¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ßà á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ
Latin Extended-AEuropean LATIN:
Ā ā Ă ă Ą ą Ć ć Ĉ ĉ Ċ ċ Č č Ď ď Đ đ Ē ē Ĕ ĕ Ė ė Ę ę Ě ě Ĝ ĝ Ğ ğ Ġ ġ Ģ ģ Ĥ ĥ Ħ ħ Ĩ ĩ Ī ī Ĭ ĭ Į į I ı IJ ij Ĵ ĵ Ķ ķ ĸ Ĺ ĺ Ļ ļ Ľ ľ Ŀ ŀ Ł ł Ń ń Ņ ņ Ň ň ʼn Ŋ ŋ Ō ō Ŏ ŏ Ő ő Œ œ Ŕ ŕ Ŗ ŗ Ř ř Ś ś Ŝ ŝ Ş ş Š š Ţ ţ Ť ť Ŧ ŧ Ũ ũ Ū ū Ŭ ŭ Ů ů Ű ű Ų ų Ŵ ŵ Ŷ ŷ Ÿ Ź ź Ż ż Ž ž ſ
LATIN EXTENDED:
-Bƀ Ɓ Ƃ ƃ Ƅ ƅ Ɔ Ƈ ƈ Ɖ Ɗ Ƌ ƌ ƍ Ǝ Ə Ɛ Ƒ ƒ Ɠ Ɣ ƕ Ɩ Ɨ Ƙ ƙ ƚ ƛ Ɯ Ɲ ƞ Ɵ Ơ ơ Ƣ ƣ Ƥ ƥ Ʀ Ƨ ƨ Ʃ ƪ ƫ Ƭ ƭ Ʈ Ư ư Ʊ Ʋ Ƴ ƴ Ƶ ƶ Ʒ Ƹ ƹ ƺ ƻ Ƽ ƽ ƾ ƿ ǀ ǁ ǂ ǃLOVƎ
Croatian digraphs matching Serbian Cyrillic letters:
DŽ Dž dž LJ Lj lj NJ Nj nj
Pinyin diacritic-vowel combinations
Ǎ ǎ Ǐ ǐ Ǒ ǒ Ǔ ǔ Ǖ ǖ Ǘ ǘ Ǚ ǚ Ǜ ǜ
ADDITIONS:
ǝ Ǟ ǟ Ǡ ǡ Ǣ ǣ Ǥ ǥ Ǧ ǧ Ǩ ǩ Ǫ ǫ Ǭ ǭ Ǯ ǯ ǰ DZ Dz dz Ǵ ǵǺ ǻ Ǽ ǽ Ǿ ǿ
Additions for Slovenian and Croatian:
Ȁ ȁ Ȃ ȃ Ȅ ȅ Ȇ ȇ Ȉ ȉ Ȋ ȋ Ȍ ȍ Ȏ ȏ Ȑ ȑ Ȓ ȓ Ȕ ȕ Ȗ ȗ
Additions for Romanian:
Ș ș Ț ț
Czech, Slovak, and Slovenian:
Á á Ą ą Ä ä É é Ę ę Ě ě Í í Ó ó Ô ô Ú ú Ů ů Ý ý Č č ď ť Ĺ ĺ Ň ň Ŕ ŕ Ř ř Š š Ž ž
FRENCH:
À à  â Æ æ Ç ç È è É é Ê ê Ë ë Î î Ï ï Ô ô Œ œ Ù ù Û û Ü ü « » € ₣
GERMAN:
Ä ä É é Ö ö Ü ü ß « » „ “ ” ° € £
GREEK:
Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω
Based on ISO 8859-7:
ʹ ͵ ͺ ; ΄ ΅ Ά · Έ Ή Ί Ό Ύ Ώ ΐ Α Β Γ Δ Ε Ζ Η Θ Ι Κ Λ Μ Ν Ξ Ο Π Ρ Σ Τ Υ Φ Χ Ψ Ω Ϊ Ϋ ά έ ή ί ΰ α β γ δ ε ζ η θ ι κ λ μ ν ξ ο π ρ ς σ τ υ φ χ ψ ω ϊ ϋ ό ύ ώ
Variant Letterforms:
ϐ ϑ ϒ ϓ ϔ ϕ ϖ ϗ
Archaic Letters:
Ϙ ϙ Ϛ ϛ Ϝ ϝ Ϟ ϟ Ϡ ϡ
Hawaiian:
Ä ä Ē ē Ī ī Ō ō Ū ū ʻ
Italian:
À à Á á È è É é Ì ì Í í Ò ò Ó ó Ù ù Ú ú « » € ₤
Polish:
Ą ą Ę ę Ó ó Ć ć Ł ł Ń ń Ś ś Ź ź Ż ż
Romanian:
Ă ă Â â Î î Ș ș Ş ş Ț ț Ţ ţ
Russian (Русский) (Cyrillic):
А а Б б В в Г г Д д Е е Ж ж З з И и Й й К к Л л М м Н н О о П п Р р С с Т т У у Ф ф Х х Ц ц Ч ч Ш ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я
Cyrillic Extensions:
Ѐ Ё Ђ Ѓ Є Ѕ І Ї Ј Љ Њ Ћ Ќ Ѝ Ў Џ Ґ ѐ ё ђ ѓ є ѕ і ї ј љ њ ћ ќ ѝ ў џ ґ
Basic Russian Alphabet:
А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я а б в г д е ж з и й к л м н о п р с т у ф х ц ч ш щ ъ ы ь э ю я
Spanish:
Á á É é Í í Ñ ñ Ó ó Ú ú Ü ü « » ¿ ¡ € ₧
Turkish:
I ı Ö ö Ü ü Ç ç Ğ ğ Ş ş ₤
IPA Extensions:
ɐ ɑ ɒ ɓ ɔ ɕ ɖ ɗ ɘ ə ɚ ɛ ɜ ɝ ɞ ɟ ɠ ɡ ɢ ɣ ɤ ɥ ɦ ɧ ɨ ɩ ɪ ɫ ɬ ɭ ɮ ɯ ɰ ɱ ɲ ɳ ɴ ɵ ɶ ɷ ɸ ɹ ɺ ɻ ɼ ɽ ɾ ɿ ʀ ʁ ʂ ʃ ʄ ʅ ʆ ʇ ʈ ʉ ʊ ʋ ʌ ʍ ʎ ʏ ʐ ʑ ʒ ʓ ʔ ʕ ʖ ʗ ʘ ʙ ʚ ʛ ʜ ʝ ʞ ʟ ʠ ʡ ʢ ʣ ʤ ʥ ʦ ʧ ʨ
IPA Characters for Disordered Speech:
ʩ ʪ ʫ ʬ
OSO Trader download :
Bursa Efek Jakarta :
Daftar Emiten di Bursa Efek Jakarta
# Urut menurut abjad
# menurut sektor bisnis
Chart / grafik perkembangan :
Grafik / Chart by yahoofinance
Chart berbasiskan sektoral :
http://www.saham.us/index.php/analisa-saham/chart-saham/chart-ta-a-fa
TOP LOSER :
TOP FOREGN SELL :
TOP FOREGN BUY :
Analisa laporan keuangan emiten :
ft.com
referensi / bacaan :
In this quick tip tutorial we will explain how to create a cookie text effect using layer styles and textures in Photoshop. Let’s get started!
First make a new PSD document 1000 x 400 pixels resolution 72 Dpi. Now open the free texture Wooden Table and copy and paste it into your new PSD document. Command/Ctrl + T (transform) the texture and resize it until you are happy with it.
Then we are going to make the texture for the Cookie style. Open the Chocolate Cookie Texture in Photoshop. Go to Image > Image Size… and fill in the setting like below. Now go to Edit > Define Pattern… name it Cookie Texture and press ok. Exit this document and go back to your document from step 1.
Now make your text with a font of your own choice and write your text. I wrote Cookie with Arial Black 220 pt.
Now we are going to apply some layer styles! Use the settings as shown below. We start with the texture for the cookie – Double Click on the text layer to open Layer Styles – Select Pattern Overlay – Click on the Pattern Box and choose the cookie Texture we made in step 2.
Now select Bevel and Emboss for the cookie style for a 3D look.
Next select Inner Shadow to give some more realism to the emboss.
Next select Drop Shadow to make it more real on the background
Now select Outer Glow to give it dark edges
Then select Inner Glow to make the cookie brighter
Next select Texture under the Bevel and Emboss to make the cookie more real and give it a grungy look.
Now we are going to draw around the text to make it look more like a cookie. Select the text layer, Right click on the layer and choose Rasterize Layer, Choose the Brush Tool with size of 13 and a Hardness of 100%, Now draw around the text with the Brush tool until you’re happy with it (like below).
Now we are going to make some extra chocolate. Make a New Layer by going to > Layer > New > Layer. Double click on the layer and use the Layer Styles as shown below.
Now draw some chocolate on the cookie with the brush tool – hardness 100%
Now your Chocolate Cookie Style is done!
So create a new document in Photoshop at 1920px wide x 1200px high, and with the Gradient Tool (G), draw in a radial gradient of browns (#5c3d09 to #1f1409) so you get something like what is shown below.
Notice that the gradient is not centered vertically but sits toward the top. In this image we want the top of the text to be on fire, so the top part of the image should be a bit more lit up.
As in the grass text tutorial, once again we’re going to have a textured background. But rather than starting from scratch, I just copied the background from the previous tutorial, merged all the layers and desaturated to get what you see below.
If you need to make this from scratch, first visit Bittbox to get the original paper textures and then follow the previous tutorial’s steps.
Now we set the layer to Overlay and to blend the texture into the background and voila!
Just to add a bit more texture though, let’s run the Texturizer filter. To do this, create a new layer and fill it with a brown/beige color—#66500f. Then go to Filter > Texture > Texturizer and use the Canvas texture with 80% Scaling and Relief set to 4.
Once you have your texturized layer, set that to Overlay. This adds some extra fine detail to our texture which is good because we’re working on such a big canvas.
Next we’re going to apply a layer to slightly desaturate the bottom half of the image. This is so that the top looks like it has a warmer glow where the flames are, while the bottom looks a little colder.
So create a new layer and fill it with the color #4b4f3b. Then add a layer mask with a gradient to mask out the top and fade down (so you get the effect shown).
Now set the layer to Color and 45% Opacity.
OK, we now have a nice background! So let’s add some text. I’ve used the font Trajan because it’s a really dramatic looking font. Here I’ve placed the text in the color #cb9328, then set it to Linear Dodge (Add) with an Opacity of 8%.
What we’re going to be doing with our text is making it look like the top half of the text is coming out of the background and is red hot with flames flickering off. This means we’re going to run a lot of effects and apply layer masks to them so that only the top half shows while the bottom half reverts to faded out text like we have currently.
So first create a new layer group to put all the text layers in—because there will be a lot of them.
Then duplicate the text layer and set the color of the duplicate text to #5e3f1c.
Now set the newest text layer to Overlay and 70% Opacity. It should look kind of reddish (as shown below).
Now duplicate the text again and set the latest duplicate to a yellowish color—#cb9328. Then set this to Linear Dodge (Add) and Opacity 30%.
Next we add a layer mask and draw a gradient so the latest text layer fades out as shown below, and beneath you can see the reddish colored combination of the bottom two text layers.
Next we duplicate the text layer yet again, but put this layer right on the bottom. Set the color to black—#000000. Then go to Filter > Blur > Gaussian Blur and it will ask you to rasterize the text, click yes to that, and then set the Radius to about 4px.
Then Ctrl-click any of the other text layers and go back to the black layer and hit delete so you are just left with a sort of shadow. Then duplicate this layer and merge it with the first so the effect is heavier. You should have something that looks like the screenshot below.
Once again, add a layer mask so the shadow quickly fades out as shown. This makes it look like the text is coming out of the page.
Now duplicate our black layer again and using the Smudge Tool (R) and a largish soft brush you want to just smudge the shadow around so it looks like burn marks.
Here’s how our text is looking now. I actually created two sets of “burn” marks, and then four sets of the shadow layer each blurred a little more than the last and each faded back.
Now it’s time to make the top part of our text glow. So first of all, duplicate the text layer again and place this layer at the very top and set it to a yellow color—#dc9a08.
Then run a Filter > Blur > Gaussian Blur over it with Radius of 8px. Then grab a large soft eraser brush and just erase away parts at the bottom so it’s kind of uneven.
Set our first glow layer to Soft Light. You might want to repeat the process, erasing even more so the top part is even glowier.
Now duplicate the text layer yet again and place this at the very top. This one should be again the same yellow (#dc9a08).
Then go to Layer > Rasterize > Type and turn the text into a flat graphic. Then Ctrl-click the layer and go to Select > Modify > Contract and use a value of 1px. Then press Delete to delete everything except that 1px outline.
Now set the 1px layer to Overlay, and you should have something like the image below.
Now to our 1px glow add a layer mask to fade it out down the bottom as we’ve been doing with the other layers.
Then duplicate the layer, and run a Filter > Blur > Gaussian Blur set to 1px. Then duplicate this layer again and blur it by 2px. Then duplicate the layer again and blur it by 4px.
Then Ctrl-click any of the text layers, press Ctrl+Shift+I to inverse the selection and go through each of the glow layers and press Delete to remove any of the blur that has strayed out of the boundary of the text.
The idea is that we want the edges of the text to look red-hot with it fading in to an overall hot glow on the text.
Next we duplicate all four of the glow layers and merge them together. This should result in a layer on top which is the original bright yellow.
Grab the Smudge Tool and run over the text, smudging it up to look like heat waves coming off the text, as shown.
Now set this latest layer to Overlay and you should have something looking like this!
Now we’ve pretty much finished our text. I went through and duplicated some of the glow layers to make it look even more fiery. Feel free to experiment with getting a real red-hot glow look by doing so.
Next, in keeping with the last wallpaper, I’ve gone and added a quote underneath my main text. This provides a nice embellishment to the page. Try to use colors that fit in with the background and text layer so it doesn’t stand out too much, because we really want this to be a secondary element to the main text. I’ve used Swiss Light Condensed as my font and laid it out just like in the previous Grass Text tutorial.
Finally, with all our preparation done, it’s time to add the actual flames! For this, we need some images of fire set against a plain black background. A good photo is hard to find, and try as I did, I couldn’t find a really great free photo. So in the end I used this photo from Fotolia which you can purchase using the link below. There was also an OK photo from Flickr which I’ve also linked to and which I ended up using later for the “E”. So you might want to grab that too.
AcheroN—Fotolia.com
Peasap—Flickr.com
Now the technique for copying the flames over is actually really simple. I actually only learned this technique recently when reading one of Nik Ainley‘s tutorials for DigitalArts magazine called Create Amazing Photomontages where he did it with water.
What you need to do is:
This is actually a really, really useful technique for copying something translucent like fire off a flat background. And as you’ll see by visiting Nik’s tutorial, it’s also great for copying water!
OK, so here we’ve pasted the flames on to our main canvas. (For clarity I’ve also temporarily switched off the text layers). As you can see, we’ve got the fire without the black background and it’s partially transparent, which means it’ll look super on top of our text.
Now the next thing to do is to cut up our one bit of fire into a few pieces. Just duplicate the layer and switch off one as a backup first. Then using the Pen Tool, cut up the fire so you work with the contours of the flame so it looks natural. Here you can see I’ve produced four pieces of flame from the one image. You can also try flipping bits around to make them seem more random.
Set the layers to Screen mode so that any remaining black parts are totally gone, and it’s even more transparent.
Now because my text is just four letters, I need four separate pieces of fire. For the fourth one (on top of the E) I actually grabbed that Flickr photo and repeated the same process as earlier to create another flame. Also the fire on the letter I has been squashed a little as well to make it look more random.
Applying the fire is really as easy as moving the flames over the text. You want to try to match the flames to the shape of the letter so it looks like they are dancing off the letters.
OK here I’ve placed all four bits of flame over the top. It’s not bad, but you can see that the I and the R have the same flame and also all the flames aren’t very tall.
So here I’ve gone through each flame and using the Transform Tool stretched them vertically. Also I used a bit of judicious erasing to make the flame on the I look a little more unique.
Now to make them look even more lit up, duplicate each flame layer, run a Filters > Blur > Gaussian Blur with a Radius of 3px and set the layer to 15% Opacity so it provides a bit of glow around the edges of the flames.
So we’re pretty much there! This is how the composition looks.
Finally we’ll add a last highlight. So create a new layer above all the others and draw in a white to black radial gradient as shown. Set this layer to Overlay and 40% Opacity.
And there we have it, a text on fire effect! In the next tutorial in the series, we’ll be producing the Air image, however it’ll be in two weeks, not one—as I’m taking a few days off work!
If you’re interested in creating flames from scratch in Photoshop, you might also like to check out this classic tutorial that coincidentally uses the exact same typeface! It’s a Photoshop 6 tutorial, and I can still remember reading it like a half decade ago, but it’s still very relevant, even if the screenshots feature a super retro Mac interface.
In today’s quick tip tutorial we will demonstrate how to create a leather texture from scratch using Photoshop filters.
Create a new file with a white background. Set the foreground and background color to black and white by pressing D. Click Filter > Texture > Stained Glass.
Create new layer and fill it with white. Change its opacity to 50%. Repeat previous filter by pressing Cmd + F. If you want tweak the setting use Cmd + Alt + F.
Press Cmd + E to merge both layers. Click Filter > Noise > Add Noise.
Press Cmd + A then Cmd + C to copy all to clipboard. Open Channels panel and create new channel. Then Paste (Cmd + V).
Click RGB channel to return to Background layer. Click Edit > Fill, choose Use: Color and pick your color. You can use any color you want, just make sure it’s dark enough for the next filter.
Click Filter > Render > Light Effects. In Texture Channel choose Alpha 1.
The default light is too dark. You need to add more light sources by dragging the lamp icon to the preview box. Set its type to Omni.
Click OK and the result should look something like below.
Change the background and foreground color to white and black by pressing D then X. Activate the Gradient Tool, choose radial with white to transparent. Create a new layer and draw a gradient.
Change opacity to 4%. This will add subtle lighting to the leather.
The Lighting Effects filter will add a small border to the image (just a few pixels). To remove it, click Image > Canvas Size and reduce the size of the image.
You can change the color by adding an adjustment layer Hue/Saturation. Check colorize and move sliders until you satisfied with the result.
That’s it. I hope you like the final result and have learned some new techniques from this short quick tip tutorial.
WPAP adalah singkatan dari WEDHA’S POP ART PORTRAIT. Suatu seni ilustrasi gaya WEDHA. Nama Wedha sendiri diambil dari nama illustrator majalah Hai, yaitu WEDHA ABDUL ROSYID, beliau yang lahir pada tanggal 10 Maret tersebutlah yang menemukan ide gaya ilustrasi ini.
Dalam WPAP, gambar wajah/ poto dibuat berkotak – kotak, kemudian diberikan komposisi warna yang terkadang terkesan saling tumpang tindih dan berseberangan, tapi menjadi satu kesatuan yang memberikan nilai seni tersendiri, dan tetap menarik untuk dinikmati. Inilah yang menjadi hal unik dalam seni ilustrasi WPAP.
Proses pembuatannya memang menggunakan tehnik menjiplak (TRACING), namun tracing yang disajikan adalah tracing yang kreatif, artinya tidak melulu apa yang terdapat pada gambar tersebut.
Karena yang diilustrasikan adalah gambar wajah, kemiripan menjadi hal penting dan mutlak harus dalam karya seni ini.
Seiring perkembangan teknologi desain grafis, seni rupa WPAP ini semakin tereksplorasi. Kalau awalnya Wedha membuatnya secara manual, gambar/ foto ditrace dengan kertas kalkir, sekarang dapat diproses dengan komputer tanpa meninggalkan sisi kreatifitasnya.
Saat ini didunia maya telah terbentuk satu komunitas untuk penggemar dan praktisi ilustrasi gaya ini. Dalam waktu yang cukup singkat, jumlah anggota telah mencapai ratusan dari berbagai wilayah. Beberapa kali komunitas ini telah mengadakan pameran dan bulan januari ini mengadakan pameran di Gandaria City – Jakarta Selatan. Acungan jempol pantas diacungkan untuk komunitas ini.
saya sebagai penulis sempat dihadiahi beberapa picture gaya WPAP ini di tahun 2010, dan ini adalah hasil karya dari Tony Agustian yang asli Jember – Jawa timur.
Iskandar karim & notes 